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Q:
Are there any known issues with using a BRC?
A:
Using the ADAT HD24 with the
BRC Master Remote Control The BRC Master Remote Control has been the standard for controlling multi-ADAT systems since its introduction. It can control multiple transports, arm up to 128 tracks in a system, receive and generate SMPTE time code, and slave an ADAT system to time code, video, and word clock. However, certain features of the BRC are specifically designed for the original ADATs, and the BRC is unable to control certain features of Type II ADATs and the HD24. Keep the following in mind: Matching start times for synchronization Remember that, unless you change it, each Song in the ADAT HD24 starts at the 00:00:00:00 time code point. So, if the particular section of tape you want to control also starts at 00:00, you’re all set for the ADATs and the HD24 to synchronize. If not, you’ll need to create an offset, a new time reference so the Song Start time of the HD25 matches the location where the song starts on the ADAT tapes. Create a new Song Start reference on the HD24 by changing the value of Location 00 “Start” in the current Song by pressing LOCATE SELECT and following the instructions on page 44 for editing a locate point. Do not use the BRC’s TAPE OFFSET feature to create the offset between the HD24 and the ADATs unless you apply a BRC offset to the tape machines, not to the HD24. (The HD24 appears to the BRC as three different machines, but these cannot be offset from each other for obvious reasons.) Compatibility issues Digital routing The original ADAT system allowed copy-and-paste editing between different ADATs under control of the BRC. To do this, it recommended that you connect the OPTICAL OUT of each ADAT to the OPTICAL IN of the next. When you pressed the DIGITAL I/O button on the BRC, and selected source tracks from one ADAT, all other ADATs in the system went into Digital Thru mode, where the signal from the source was automatically passed through each ADAT in the chain, creating an optical loop. This Digital Routing (Optical Loop) is not supported by the HD24. In a system combining tape and hard disk, do not connect the ADAT Optical chain in a loop. In particular, there is no need to connect the ADAT Optical Out of the HD24’s tracks 1-8 to the Optical In of Tracks 9-16, etc. because digital copying within the HD24 is handled more efficiently by the HD24’s internal Copy and Paste commands. Arming nonexistent tracks For the purposes of arming tracks, the BRC “sees” an HD24 as being three 8-track ADATs. However, the current Song on the HD24 can be of fewer tracks than 24. In this case, the BRC still assumes that there are 24 tracks available. If the BRC attempts to arm tracks that do not exist for the current song, the HD24 will not arm the selected tracks; however the BRC will show those tracks as armed by flashing its REC READY LEDs. ADAT Sync In a studio with a BRC, controlling both tape ADATs and HD24s, there are reasons to connect the tape ADAT(s) first in the sync chain: • The BRC will listen to the first machine in the chain to check for ready. Here's an example: If you have a BRC->HD24->XT sync chain, bring up a song and play to the end. If you locate to 0 and press play on the BRC, the HD24 will play almost immediately. However, the XT will not play until it’s finished locating, which could be many seconds later. • The BRC’s SAVE SETUP TO TAPE and LOAD SETUP FROM TAPE commands (which saves the BRC’s internal data and song setups to the DATA section at the head of an ADAT tape) are not supported by the HD24. So, if an HD24 is first in the Sync chain following the BRC, then the BRC’s song data cannot be saved or restored. • No “search” command: On a tape-based ADAT, pressing both PLAY+FFWD or PLAY+REW will put the ADAT into "Search" mode. This mode is not supported by the HD24. The HD24 will wait until the tape ADAT has completed its search and locate to the new timecode once the Locate command is sent. • No pre or post roll outside Song boundaries: On the HD24, Pre-Roll and Post-Roll are only supported if you have sufficient time in the song. That is, the pre-roll value cannot access points before sample 0, and the post-roll value cannot go past the last sample of the song. If you require Pre-Roll and Post-Roll, create a new Song in the HD24 that contains the required additional time, and copy/paste the old song in the middle of the new song. Other issues • No punching in on track buttons: In a tape/HD system controlled by a BRC, if tracks are armed on the tape but not on the HD24, punching in on the BRC will put the HD24 in Record Pending mode (Record LED flashing). Once in Record Pend, the HD24 cannot dynamically arm tracks, nor can it extend the song length. You must arm tracks before entering RECORD on the BRC. • High sampling rates: The BRC cannot control an HD24 if the current Song is at the 88.2 or 96 kHz sampling rate. The BRC is designed for 48 kHz operation primarily (although you can use the BRC’s PITCH controls to reach a 44.1 kHz sampling rate). • Songs are separate: The BRC’s SET SONG command cannot select different Songs on the HD24’s hard drive. (For one thing, the BRC has only 20 songs in memory, while the HD24 may have up to 64.) Nor can the BRC issue NEW SONG or DEL SONG commands to the HD24. • Location points separate: While both the HD24 and the BRC have 20 standard locate points, they will not be the same. The BRC’s location points and names are in the BRC’s memory, and the HD24’s are in its memory. The only exception is that, once you perform a punch-in from the BRC, the punch-in and out locations (L21 and L22) of both the BRC and the HD24 will be updated to the same values. • Pressing All-Safe on the BRC very fast will sometimes miss a bank of track enables on the HD24. • Auto Return display: Setting Loop mode on the BRC will not engage the HD24’s Auto Return feature, only Auto Play. However, this is only a display issue, as the BRC handles the looping functionality. • Track Delay, not advance: The BRC’s TRACK DELAY feature can control the HD24’s track delay feature, but only in one direction: it can delay a track up to 170 ms., but can’t advance them (since tape-based ADATs were not capable of that).
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